I was reading Arthur Miller’s “Death of a Salesman” as part of my DIL’s syllabus for her AP English students. I had agreed to read along with her class. I wrote about that HERE and HERE. In the introduction to the play, there was a mention of Inge Morath who married Arthur Miller after his divorce to Marilyn Monroe. I had never heard of Morath. I didn’t know Miller married a photographer.

I had to prepare a presentation to share either my photos with my photography class — or introduce a photographer to my classmates. I looked at Inge Morath’s work and thought “this is it!”

Below is information I used as crib notes to share with the class. I talked off the cuff, but glanced down at the material for reference. I’m not posting my favorite photos of hers, because they are not in the public domain. The Inge Morath Foundation owns them. Instead I’ll post links to her work so you can explore them on your own.

I especially like her iconic llama photo she took for Life magazine, her bicycles in China and her photos from movie set of The Misfits — where she met her husband-to-be Arthur Miller. Miller wrote “The Misfits” for his wife Marilyn Monroe.

Here are the Inge Morath notes*:

Inge Morath (1923–2002) was an Austrian-born photographer known for her intimate and expansive portraits of people and cultures across the globe, who became one of the first female members of the Magnum photo agency. After surviving WWII, she worked as a photo editor before becoming a photographer in 1951, and later co-published several books with her husband, playwright Arthur Miller, whom she married in 1962. Her work includes documenting the sets of films like The Misfits, and capturing intimate portraits of artists, writers, and everyday people. 

• Early life and career: Morath was born in Austria in 1923 and grew up in Germany during the Nazi era. She became fluent in several languages, and after the war, worked as a translator and journalist. She began her career in photography after working as a photo editor for Magnum, where she learned by studying the work of photographers like Henri Cartier-Bresson.
• Magnum photographer: Morath became a full member of Magnum in 1953 and was a pioneering female photographer in the male-dominated agency. She traveled extensively for her work, documenting life in countries like the Soviet Union and China, often preparing extensively by studying local languages and cultures.
• Work and style: Her work is characterized by its cosmopolitanism, literary influences, and the intimacy she achieved with her subjects, whether they were famous artists like Louise Bourgeois or actors on a film set. She was known for both large documentary projects and candid, poetic moments, such as the staged but famous “A llama in Times Square” photo, which she documented for Life magazine.
• Marriage to Arthur Miller: After meeting on the set of The Misfits, she married playwright Arthur Miller in 1962, with whom she had two children, Rebecca and Daniel. They collaborated on several projects, including the books In Russia and Chinese Encounters. Morath continued her own projects throughout their marriage, and she and Miller were married for 40 years until her death in 2002. 

Links to Inge Morath Foundation and Magnum Photo Agency.

*I had copied and pasted pages of information about Inge Morath. I was editing it down to something manageable when AI popped up with the condensed version. I’m terribly anti AI, but in this instance it was a welcome aid! I guess there is some use for AI after all.

If you looked at Inge Morath’s photos, which did you like and why?

What thoughts do you have about AI? Do you think it’s useful or a crutch?